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Critics often dismiss romantic drama as "women's entertainment," a label meant to diminish its artistic and commercial value. Yet this gendering is precisely what makes the genre a fascinating case study in entertainment economics. Historically, women have been the primary consumers of romantic narratives, from 18th-century epistolary novels to 21st-century K-dramas. The genre offers a space where female desire, agency, and emotional intelligence are centered—a rarity in action or horror cinema.
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