and microscopic scratches. Then, the green rain of code began. In this raw scan, the luminosity was different. The trails of light seemed to burn into the darkness of his OLED screen.
which was scanned from the original camera negative and overseen by cinematographer Bill Pope, fan scans are often taken from commercial release prints High-Def Watch Original Color Timing:
Some versions of these fan-sourced scans explore Open Matte formats, which reveal more of the top and bottom of the frame compared to the standard widescreen theatrical crop.