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By 6:00 AM, the house is a symphony of controlled pandemonium. Grandmother (Dadi) is the first upright figure, her white cotton sari tucked firmly, her silver hair in a tight bun. She moves to the kitchen, not to cook, but to command. She lights the incense stick before the small brass idols of Ganesha and Lakshmi, her lips moving in a silent, practiced rhythm. The tika (vermilion mark) she will later place on every forehead—from the eldest son to the vegetable vendor—is already mixed in a tiny bowl.

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