Heidi called herself Hei because she liked how the name sounded—short, sharp, like a cut of silk. In the apartment's thin light she stitched afternoons into evenings, fingers working on a patchwork of ribbon and memory. The project had no real name; neighbors called it "Gobaku" when they saw the strips of cloth tied around the railing like a makeshift fence—an attempt to bind a season that refused to stay.
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