: A masterclass in social commentary and funk, famous for its iconic music video and forward-thinking lyrics about technology and cloning [5.1, 11].
: Directed by Jonathan Glazer, the iconic video created the illusion of a moving floor. In reality, the floor was static; the walls and camera were moved by a crew on wheels while Jay Kay danced. : It won four awards at the 1997 MTV VMAs, including Video of the Year , and remains a definitive moment in 90s pop culture. Jamiroquai Travelling Without Moving 1996-rar
: A rare departure for the band into a straight reggae sound. : A masterclass in social commentary and funk,
A dedicated archivist, Mira, discovers an unlabeled RAR on an old hard drive bought from a closing record store: "Jamiroquai Travelling Without Moving 1996-rar." Inside are high-quality rips, rare live tracks, and an odd text file: timestamps tied to locations across her city. Playing each track at the listed time causes a subtle, synchronised shift in the world outside—streetlights pulse in time, a tram stops for a beat, strangers pause mid-step, and Mira glimpses fragments of other lives, frozen like frames. : It won four awards at the 1997
| Pressing | Key Features | Approx. Value (VG+/NM) | |----------|--------------|------------------------| | | Holographic/embossed lettering on cover; no barcode on rear. | $150–300 | | Japanese CD (Sony SRCS 8324) | Includes “Do You Know Where You’re Coming From?” (remix) as bonus track; OBI strip. | $80–150 | | US Promo Vinyl (Samp – white label) | “Promotional Copy Not For Sale” stamp; often cut at 45RPM. | $200–500 | | European Picture Disc | Rare photo disc; surface noise common, but highly collectible. | $120–250 |
As she follows the timestamps, the music acts like a map that lets her step between moments—an afternoon kiss under rain, a jazz-club set from 1996, a child’s first skateboard ride. Each song unlocks empathy, revealing how small choices ripple through decades. But deeper files include a warning: the more she rewinds time, the thinner the boundary becomes between playback and reality. Past and present start to overlay; faces she sees in frozen moments begin to appear in her present.