There are albums that change music, and then there is Kind of Blue .
Recorded on March 2, 1959, at Columbia's 30th Street Studio in New York City, "Kind of Blue" was the culmination of a series of sessions that Davis had been working on with his legendary sextet, featuring John Coltrane, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb. The album's laid-back, improvisational style, which Davis dubbed "modal jazz," marked a significant departure from the complex, bebop-influenced music that dominated the jazz scene at the time. Miles Davis - Kind Of Blue -1959- FLAC 24-96 SACD
The (derived from an SACD) offers three distinct advantages: There are albums that change music, and then
Miles Davis ’s landmark 1959 modal jazz album, Kind of Blue , is widely considered one of the most significant recordings in music history. High-resolution releases in SACD and FLAC 24-bit/96kHz formats offer superior, detailed audio quality, often featuring corrected pitch from the original sessions. The (derived from an SACD) offers three distinct
To understand the value of this high-resolution transfer, one must first appreciate the space within the music. In 1959, Davis gathered a "dream team" of giants: John Coltrane (tenor sax), Cannonball Adderley (alto sax), Bill Evans and Wynton Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums).