Unlike Fulci’s splatter classics, The Devil’s Honey focuses on psychological warfare. It was originally scripted as a softcore exploitation film, but Fulci infused it with arthouse melancholy and surgical precision. The jazz score by adds a dreamy, unnerving atmosphere.
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Unlike Fulci’s horror films, which were often surreal and supernatural, The Devil’s Honey is starkly realistic, which makes its disturbing content even more unsettling. Fulci himself called it “a film about the madness of love” and dismissed critics who labeled it as mere pornography. Unlike Fulci’s splatter classics