: Some critics argue that the film’s "romance" is actually between Man and Technology or Man and the Cosmos . The journey to Jupiter has been analyzed as a metaphorical process of "impregnation" and rebirth, with the Monolith acting as a mysterious, feminine catalyst for human evolution. HAL 9000: The Only "Emotional" Relationship
: Local drag performers or comedians provide live MST3K-style commentary over a screening of the 2001 original and new, never-before-seen footage. The "Oddity" Museum shock video 2001 a sex odyssey
There are currently no scheduled TV airings on major networks. : Some critics argue that the film’s "romance"
Released in December 2000, this was a television movie/documentary directed by (of RuPaul's Drag Race fame). It was part of HBO’s long-running America Undercover series, which specialized in gritty, "shocking," or taboo subjects. The "Oddity" Museum There are currently no scheduled
2001: A Space Odyssey is a film that actively rejects the catharsis of romance. There are no love stories, no friendships tested and reaffirmed, no families reunited. Instead, Kubrick offers a chilling, majestic argument about the nature of consciousness. The shock of the film is not that space is lonely, but that our human definitions of relationship are parochial—petty emotional concerns that will be rendered obsolete by the next evolutionary step.
In a cinematic landscape where love stories are the default emotional anchor, 2001 commits a radical act of violence against narrative convention. There are no lovers reuniting across light-years. There are no longing glances. There is no marriage, no flirtation, no jealousy, no sex. The human beings aboard Discovery One might as well be mannequins for all the emotional intimacy they display.
: Some interpretations suggest that the film's ending—the Star Child