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The concept of a portable lifestyle and entertainment draws on theories of consumer culture, digital sociology, and the psychology of experience. It is underpinned by the idea that experiences are increasingly commodified and shared on social media platforms, where they can be curated, consumed, and interacted with. The performative aspect of maintaining a portable lifestyle for entertainment purposes aligns with Goffman's (1959) dramaturgy theory, where individuals perform roles to manage impressions.

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The findings indicate that individuals engage in curating a portable lifestyle and entertainment for several reasons, including the desire for social validation, the pursuit of enjoyment, and the need to document experiences. The use of portable devices facilitates this lifestyle by enabling constant connectivity, access to entertainment, and the ability to create and share content on-the-go.