While the premise sounds interesting on paper, the execution is a mess. Director Olivier Megaton returns from Taken 2 and brings his shaky-cam aesthetic with him. The editing is choppy to the point of incoherence, and the action lacks the visceral crunch of the first film.
When Taken exploded onto screens in 2008, it didn’t just launch a franchise; it redefined the action genre for a decade. It took Liam Neeson, a distinguished dramatic actor, and turned him into the most feared retirement-age action hero in cinema history.
While the premise sounds interesting on paper, the execution is a mess. Director Olivier Megaton returns from Taken 2 and brings his shaky-cam aesthetic with him. The editing is choppy to the point of incoherence, and the action lacks the visceral crunch of the first film.
When Taken exploded onto screens in 2008, it didn’t just launch a franchise; it redefined the action genre for a decade. It took Liam Neeson, a distinguished dramatic actor, and turned him into the most feared retirement-age action hero in cinema history.
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