These concerts are fascinating. The artist stands on stage with a backing track, rarely rapping live. Instead, they re-enact the selka moves: looking down at the floor, running in place, or pointing the microphone at the crowd while holding their phone up to record themselves on the Jumbotron. The audience, in turn, records their own selkas of the concert, creating a recursive loop of narcissistic documentation.

Conservatives argue it is a superficial import of Western/Turkish consumerism. They say Selka olish has ruined the sanctity of cinema.

The phrase "uzbek selka olish kino hot" appears to be a search query rather than a specific movie title. In Uzbek, "selka olish" (often written as "silka olish") roughly translates to "getting a link" or "downloading a link," and "kino hot" refers to trending or provocative film content.